{"created":"2023-07-25T09:58:26.353584+00:00","id":1520,"links":{},"metadata":{"_buckets":{"deposit":"e3095d72-ffe5-4f6e-8e20-7742d40aa4e5"},"_deposit":{"created_by":16,"id":"1520","owners":[16],"pid":{"revision_id":0,"type":"depid","value":"1520"},"status":"published"},"_oai":{"id":"oai:oacis.repo.nii.ac.jp:00001520","sets":["187:189:230","89:128:204"]},"author_link":["1192"],"item_6_alternative_title_23":{"attribute_name":"タイトル(ヨミ)","attribute_value_mlt":[{"subitem_alternative_title":"センゴ ショウワキ ショウワ 20ネンダイ 〜 40ネンダイ ノ ギンマク ニ ウツル アマ コテン シュギ カラ エログロソシテ ピンク マデ"}]},"item_6_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-02-28","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"37","bibliographicPageStart":"23","bibliographicVolumeNumber":"14","bibliographic_titles":[{"bibliographic_title":"東京海洋大学研究報告"},{"bibliographic_title":"Journal of the Tokyo University of Marine Science and Technology","bibliographic_titleLang":"en"}]}]},"item_6_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿は、昭和 30 年代前後を中心とした戦後昭和期の銀幕に映る〈海女〉の姿、並びに、その置かれた社会状況の分析を通して、戦前期の「文化映画」から昭和50 年代の「日活ロマンポルノ」に至る過程で創造／想像された海女とポルノグラフィという恣意的な結びつきを追ってゆく。\n先ずは、昭和20 年代の浪漫主義的あるいは古典主義的な〈海女〉の表象の分析を通して、戦前期からの継続性、並びに、そこから階級性の取り除かれた民族／俗学的な健康美・野生美の前景化について、特に、映画『潮騒』及びその原作を巡る言説を中心に考察してゆく。\n続いて、〈海女〉が最も銀幕に現れた昭和30 年代、その健康美・野生美からエロティシズムと暴力性が恣意的に抽出され、殊更に強調されてゆく過程について、松竹「禁男の砂」シリーズ及び新東宝「海女」シリーズという一連の〈海女映画〉を中心に見てゆく。\nそして最後に、昭和40 年代、その後の「日活ロマンポルノ」につながるピンク映画の更なるエロティシズムの前景化、並びに、創られた懐古趣味的な〈海女〉の姿を見ることで、本稿を締めることとする。\nThis article examines the social and cultural transition of “gaze” to Japanese woman divers, or Ama, on the screen in the post-WWII Period, especially from 1945 to 1974, by analyzing their representations in the “Ama Films,” on which they were described as main characters. At first, focusing on their healthy beauty and wildness, I would like to show how Ama were represented through the ideas of romanticism or classicism in the films from 1945 to 1954, especially in the discourses around The Sound of Waves (Shio-sai). Then, I would like to trace the processes that their erotic and violent figures were arbitrarily extracted from their healthy beauty and wildness and were emphasized on the films from 1955 to 1964, especially on the Kindan-no Suna series by Shochiku Co., Ltd. and “Ama” series by Shin-Toho Co., Ltd. Finally, through analyzing the films from 1965 to 1974, I would like to indicate the invention of the images of “Ama” as nostalgia and as pornography in “Pink films”, which eventually leaded the Ama series of Nikkatsu Roman Porno in the next decade.","subitem_description_type":"Abstract"}]},"item_6_description_6":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"東京海洋大学学術研究院海洋政策文化学部門","subitem_description_type":"Other"}]},"item_6_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"東京海洋大学"}]},"item_6_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12066872","subitem_source_identifier_type":"NCID"}]},"item_6_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"2189-0951","subitem_source_identifier_type":"ISSN"}]},"item_6_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"小暮, 修三"},{"creatorName":"コグレ, シュウゾウ","creatorNameLang":"ja-Kana"},{"creatorName":"Kogure, Shuzo","creatorNameLang":"en"}],"nameIdentifiers":[{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-03-01"}],"displaytype":"detail","filename":"AA12066872-14-3.pdf","filesize":[{"value":"25.8 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"AA12066872-14-3","url":"https://oacis.repo.nii.ac.jp/record/1520/files/AA12066872-14-3.pdf"},"version_id":"6f83dca5-49a6-40eb-8769-83781dc88578"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"海女","subitem_subject_scheme":"Other"},{"subitem_subject":"日本映画","subitem_subject_scheme":"Other"},{"subitem_subject":"民族／俗学","subitem_subject_scheme":"Other"},{"subitem_subject":"ポルノグラフィ","subitem_subject_scheme":"Other"},{"subitem_subject":"性差別","subitem_subject_scheme":"Other"},{"subitem_subject":"表象","subitem_subject_scheme":"Other"},{"subitem_subject":"Japanese woman divers (Ama)","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Japanese Movies","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Ethnology","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Pornography","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Sexism","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Representation","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper"}]},"item_title":"戦後昭和期（昭和 20 年代〜40 年代）の銀幕に映る〈海女〉： 古典主義から「エログロ」、そして「ピンク」まで","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"戦後昭和期（昭和 20 年代〜40 年代）の銀幕に映る〈海女〉： 古典主義から「エログロ」、そして「ピンク」まで"},{"subitem_title":"“Ama” on the Screen in the Post-WWII Period (1945-1974): From Classicism to “Ero-Gro” (Eroticism and Grotesque), and to “Pink” Film","subitem_title_language":"en"}]},"item_type_id":"6","owner":"16","path":["204","230"],"pubdate":{"attribute_name":"公開日","attribute_value":"2018-02-28"},"publish_date":"2018-02-28","publish_status":"0","recid":"1520","relation_version_is_last":true,"title":["戦後昭和期（昭和 20 年代〜40 年代）の銀幕に映る〈海女〉： 古典主義から「エログロ」、そして「ピンク」まで"],"weko_creator_id":"16","weko_shared_id":16},"updated":"2023-07-25T10:55:43.184313+00:00"}